Daily Thoughts

The Voices of Street Rap In South Africa

Hip Hop has always had its sound rooted in struggle. The genre has always brought about artists who were willing to tell the untold story. The type of stories we would rather cover up and turn a blind eye to. The gritty and raw sides of our society. 

The story can’t be covered without talking about the influence of Kwaito, and later, Kasi Rap. Kwaito is a genre that emerged in the early ’90s that is a fusion of elements from dance, Hip Hop and House. It was a genre that exemplified township culture in South Africa, with artists like Arthur, Oskido, Boom Shaka, and Trompies spearheading the sound. This raw and authentic way of making music laid the foundations for Kasi Rap.

Kasi Rap defined the ’00s era of Hip Hop in South Africa and it is the foundation that the game is built on today. Artists like the late ProKid and Mr Selwyn are notable names that helped bring the genre to mainstream acceptance. Although Hip Hop is an integral part of youth culture today, that wasn’t the case in the early ’00s. The genre only became acknowledged at the South African Music Awards(SAMA’s) in 2003 with the iconic Hip Hop group Skwatta Kamp winning the first-ever SAMA for Best Rap Album for their Khut En Joyn album. 20 years later, street rap has gone through an evolution, with new voices emerging from townships around the country. 25K, Maglera Doe Boy and Thato Saul are the 3 artists that represent the different voices and stories of young people in the country.

25K – The Kid On The Corner

Pheli artist 25K tells the tale of being involved in, shall I say, not-so-legal activities. He represents the person that had chosen, or rather, had been chosen by life in the streets. His music intrinsically carries the energy of street rap. He started building a buzz for himself with the song “Culture Vulture” in 2019. His clear Pretoria-influenced manner of rapping was the sort of authenticity the SA Hip Hop landscape didn’t have at the time. On the first verse of “Culture Vulture” he raps,

“Majin Buu o kamo hare(Buu)

Mara nkase mo lebale 

O bolaile motho, a ke hane(Murder)

& I’m still screaming free Mashobane”


Majin Buu is inside

I won’t forget him

He murdered someone, I’m not denying it

But I’m still screaming free Mashobane

25K announced that his album would be titled Pheli Makaveli. A nod to his hometown Pheli, a township in Atteridgeville, Pretoria, and the influence west coast Hip Hop has had on him, which can be most felt on the 2Pac sampled, “Blarofornia”. Atteridgeville is known for its rich Jazz history, but it is also a community, like many others in the country, that suffers from socio-economic issues. The lack of employment and opportunities in areas like 25K’s hometown of Pheli, leave the youth with very few options outside of crime to make ends meet. Being around those hustlers is how 25K the rapper came to be. 

When it comes to the music, I draw inspiration from the streets. If I have writer’s block, or I hear a beat and I don’t have the lyrical content for it, I spend a few minutes in the streets. By the time I go back to the studio, it makes sense

– 25K

The cyclical noise of SA Hip Hop being dead had been as loud as ever in 2021, which was one of the reasons why 25K’s debut album was one of the most anticipated drops of the year. With all eyes on him, 25K released the first single from the album, “Pheli Makaveli (Intro)”. The song feels ominous and eery, and 25K opens the song rapping, “I came from one place that’s known for jacking, killing, robbery, kingpins” over sinister chords and keys. Encapsulating the mood and feel of his city and the people he keeps around him. 

Maglera Doe Boy – The Struggle

Maglera Doe Boy is a rapper from a township called Maglera in Klerksdorp, North West Province. Bearing the name of his town, Maglera Doe Boy represents his neighbourhood in all facets. From the lingo to his clothes, Maglera is as authentic as they come in South African street rap culture. His experiences of flipping weed and other substances, childhood family trauma, and affiliation with sets of gangs in his hometown of Maglera, all inspired the music he makes. 

“It’s about looking like what you represent. I call myself Maglera Doe Boy because I knew what a dope boy looked like in America. I never wanted to look like an American dope boy. I wanted to look like a South African dope boy.” 

– Maglera Doe Boy for The Sobering

Maglera Doe Boy’s career started gaining traction with a single titled “Bodega”. His fusion of English, Taal (street slang), and Portuguese references is something we hadn’t heard in the game before. The visuals of Bodega are striking and perfectly depict the mix of ethnicities and cultures in the township of Maglera. Shot outside of a small strip of Bodega’s owned by Portugues families, Maglera Doe Boy is seen wearing floral shirts, gold chains, and boat shoes. The unofficial uniform of the first generation of dope boys he grew up idolising. 

Thato Saul – The Good Kid In A Mad City

Thato Saul is a rapper from Pheli, a township in the west of Pretoria. I consider Thato Saul a storyteller and a poet that uses his raps to vividly depict the stories of his neighbourhood. His 2020 Members Only album is considered a street classic, and much like Kendrick Lamar’s debut album, ‘good kid, m.A.A.d city’, the project garnered him critical acclaim in the game. The comparisons to Kendrick Lamar are most evident on the opening song of Members Only, “Still Livin”, which immediately reminded me of Kendrick’s “Sherane a.k.a Master Splinter’s Daughter” because of the cinematic production and storytelling. 

“A gang pulled up with some pistols

there was a shot, 2 shots, 3 shots give up your money quick

Everybody scattered, homies 

taking off its like a flick

The shots still going

Hood shooters reaping what they sowing

My homie caught a stary

there’s a bullet wound for the showing”

A lot of what people love about Thato Saul isn’t so much what he says, but also how he says it. ‘Spitori’ is a type of slang that is spoken in Pretoria, but Thato Saul separates himself from other rappers who rap in ‘Spitori’ by telling the stories of his community in a dialect of Spitori that can only be understood by people who live in his hometown of Pheli. 

The Best Music Journalist In Southy. - @lesiba__ everywhere if you're looking for me -

Leave a reply

Your email address will not be published. Required fields are marked *